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Pint of View

Context:

Guinness is one of the most distinctive brands in the world. For decades, the mythology of the perfect pint has made it instantly recognisable and culturally powerful. The silhouette, the pour, the ritual - few brand assets carry as much weight. But that iconography also carried a tension.

On social, Guinness was showing up as the same symbol in the same way: pints, perfect pours, carefully controlled images, again and again. What had built fame was beginning to narrow expression. The brand was recognisable, but increasingly predictable.

That extended to the audience, too. Guinness was deeply loved, but that love was concentrated - held by the same people, in the same moments. To keep growing, Guinness needed to earn its place with a new generation and show up in new cultural spaces.

That audience did not want to admire brands from a distance. They wanted to play with them, personalise them and use them to tell their own stories. Increasingly, they were also looking for ways to spend less time scrolling and more time in real, shared moments. And the stories they were already telling were not about perfection. They were about friendship, rituals, match days, pub nights and Lovely Days.

That was the challenge: how do you open up an icon without diluting what made it iconic? How do you turn something people simply recognise into something they want to pick up, play with and share?

Creative Idea:

Pint of View took one of the world’s most recognisable brand assets and removed it entirely. In its place: a pint-shaped aperture cut into a humble beer mat.

That single act flipped Guinness from something people looked at into something they could create with. Not content to consume, but a tool for creation.

Built for behaviour already happening – people capturing their nights out – the beer mat reframed the moment, turning every photo into a co-authored expression of the brand. No prompts. No influencers. No media spend.

By turning an iconic symbol into an open system, Guinness moved from broadcasting images to enabling them.

What followed was true co-creation at scale: thousands of unique, unrepeatable perspectives, all unmistakably Guinness.

Strategy:

To grow with a new generation, Guinness needed to move from being admired to being used.

Data showed Guinness was being shared in increasingly narrow, predictable ways — the same perfect pint, again and again, limiting its relevance with new audiences.

Guinness is experienced in pubs, not on screens. Yet its audience was already documenting those moments across social platforms. Increasingly, that next generation was both playful and analogue, valuing real-world connection as much as digital expression.

Our insight was simple: don’t interrupt that behaviour, embed into it.

So instead of asking for content, we created a format people could use in the moments that matter. By transforming Guinness iconography into a physical tool for storytelling, we turned real-life connection into social co-creation.

This made social the engine, not the channel. Every post became both personal expression and brand building.

Rather than one brand-authored image, Guinness was built through thousands of user-generated ones, each distinct, all unmistakably Guinness.

Execution:

The execution began with deliberate restraint.

No launch campaign. No influencer brief. No instructions. Guinness placed 2.5 million beer mats across Irish pubs and trusted the object to do its work.

It did. Organic UGC appeared immediately: friends, strangers, match day crowds, pub windows, mountain views, even the Northern Lights. Then came the clearest proof the idea had moved from campaign into culture - mats began disappearing from tables as drinkers took them home.

Landlords requested more. Demand spread beyond the original plan, with mats even appearing for resale online.

Guinness responded by following the community, not redirecting it. Life-sized frames appeared outside Six Nations stadiums across Ireland, England, Scotland and Wales. DOOH extended the idea mid-tournament. A further 10.8 million mats were ordered, and the format rolled out beyond Ireland into GB and the US.

Create the conditions. Then get out of the way.

Results:

The clearest proof came from behaviour. Beer mats disappeared from pub tables across Ireland - taken home, kept, reused and even resold as collectables. Landlords actively requested more stock, leading to a total distribution of 13.3 million+ beer mats.

On social, the campaign generated UGC submissions with a combined audience size of 3.66 million, with Guinness-owned posts achieving 94.6% positive comment sentiment. In Ireland, campaign posts delivered 544% higher reach than average and 480% higher engagement than average.

Commercially, Pint of View delivered where it mattered most. Pubs stocking Pint of View saw a 30% incremental rate-of-sale uplift vs those that didn’t.

Pint of View turned a humble beer mat into something people wanted to photograph, keep and share - driving participation in culture, stronger social performance and measurable business growth.


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Pint of View

Pint of View began with a simple act of creative confidence: Guinness removed its most iconic asset from the beer mat and invited the community to fill the space it left behind.

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