Tennent’s dreams of Scotland’s World Cup
The campaign celebrates Scotland’s participation in the men’s World Cup group stage for the first time in 28 years.
The best immersive experiences are built on emotion, writes Dean Rogers.
I recently found myself at Disneyland on a whim.
I was in LA for a project, had a free afternoon, and thought, why not? I hadn’t been since I was 10, and I’m glad I went. Seventy years after opening, Disneyland still has something to teach us: immersive experiences aren’t just built on spectacle - they’re built on emotion.
At the Walt Disney Family Museum, I once saw a quote from Walt Disney himself that stuck with me:
“When I started on Disneyland, my wife used to say, ‘But why do you want to build an amusement park? They are so dirty.’ I told her that was just the point - mine wouldn’t be.”
That line says it all. Disneyland wasn’t just meant to be different; it was built with intention, care, and pride. And in a world full of branded experiences, there’s still a lot we can learn from that mindset.
One of the first people I spoke to at Disneyland was a staff member I stopped to ask for directions to Galaxy’s Edge. He gave me a clear answer, and then - with complete sincerity - said, “May the force be with you.”
It wasn’t cheesy or scripted. It was genuine. And that’s what sets Disneyland apart.
Every employee is a “Cast Member,” part of the story, no matter their role. There’s even a rule: if you see litter, you pick it up - whether you're a street sweeper or a CEO. They treat each guest like it could be their only visit - because for many people Disneyland is a once in a lifetime experience. That level of care is what creates magic.
Immersion isn’t about budget. It’s about belief.
Dean Rogers, Creative Director, Studio Secret Cinema
At Secret Cinema, we take a similar approach. We call it the “global approach”: everyone is in character, no matter their job. You might be pouring drinks or cleaning the floor, but from the audience’s point of view, you’re part of the world. You belong.
Immersion isn’t about budget. It’s about belief. You can spend millions on a build, but if the first person someone meets feels robotic or checked-out, the illusion breaks. Immersion isn’t a checklist - it’s a mindset. And audiences can tell the difference.
Disney understands that the emotional arc of an experience begins and ends with how people feel walking in, and walking out.
From the moment you step through the gates, the tone is set. Music swells. Costumes and characters pull you in. You're not just at Disneyland, you’re inside it.
We talk a lot about “The Portal” - that transitional moment when someone stops being a passive observer and becomes part of the world. But the exit matters just as much. That final note is your last opportunity to leave a lasting impression.
Too often, brands focus all their energy on the middle - the feature moment - while neglecting the goodbye. But people remember beginnings and endings most. The exit shouldn’t just be functional. It should be emotional.
The most powerful experiences don’t end at the gates. They give you something to take with you.
Dean Rogers, Creative Director, Studio Secret Cinema
At 9 pm, the whole park comes together to experience a pyrotechnics and multimedia spectacle. The current fireworks show, ‘A Wondrous Journey’, takes guests through 100 years of Disney animation. It’s bold and packed with iconic moments. From the music to the way staff wave guests out, the feeling is carefully held until the very end.
Disney knows how to leave you on a high but also how to make it linger. The most powerful experiences don’t end at the gates. They give you something to take with you.
Disney is not the only brand that gets this right, LEGO House in Billund is another shining example. Guests can scan their creations to revisit later, or order food via LEGO bricks and animated robots. It’s fun and tactile, but it also sparks curiosity that continues long after you’ve gone home.
That’s a lesson more brands should take to heart. Immersion doesn’t stop when people leave your space. The best experiences stick with you - because they were designed to. If your audience forgets the moment the doors close, you’ve missed the point.
If I could walk a brand team through Disneyland, I wouldn’t show them the rides. I’d show them that first conversation I had - the staff member who treated a small moment like it mattered. That’s where the magic lives.
Not in the flash. Not in the fireworks. In the human moments that feel real.
Immersion isn’t about trend-chasing or tech gimmicks. It’s about having a point of view, and a team that truly believes in it. If your people don’t buy into the world you’re building, why should your audience?
Seventy years on, Disneyland still feels relevant because it was built on care, craft, and conviction. And that’s the blueprint worth following.
Dean has been a creator of genre defining immersive experiences for over a decade and now leads Studio Secret Cinema’s in-house creative team. His journey began in 2014 when he created the groundbreaking immersive theft experience HEIST, which challenged audiences to commit a robbery. Following the success of HEIST Dean went on to design some of the UK’s top escape rooms, including Time Run - “The Greatest Live Game London has ever seen. In 2015 Dean co-founded The Crystal Maze Live Experience, raising £1 million on Kickstarter to bring the cult game show back to life. After escaping the maze, Dean founded Rogue Productions, an immersive experience and escape game studio. Rogue created escape rooms for market leaders Escape Hunt and Merlin Entertainments, as well as their own independent escape room: The Perfect Crime. In 2022 Dean joined multi award winning creative agency, Bearded Kitten to lead their immersive department. Here he directed and produced world class brand experiences for prestigious clients such as Disney, Warner Bros, Netflix and LEGO. Now Dean is delighted to bring his experience at cutting edge creativity to Studio Secret Cinema.
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